{"id":16,"date":"2020-05-08T11:58:04","date_gmt":"2020-05-08T11:58:04","guid":{"rendered":"http:\/\/thomasbeimel.de\/?page_id=16"},"modified":"2022-01-30T19:49:44","modified_gmt":"2022-01-30T19:49:44","slug":"kompositionen","status":"publish","type":"page","link":"https:\/\/thomasbeimel.de\/?page_id=16","title":{"rendered":"Kompositionen"},"content":{"rendered":"\n

Auftr\u00e4ge vom Kultursekretariat NRW, den Vereinigten St\u00e4dtischen B\u00fchnen Krefeld und M\u00f6nchengladbach, der Kunststiftung NRW, den Musikschulen in Leichlingen und Bochum, dem Kulturb\u00fcro Wuppertal, dem Stadttheater F\u00fcrth, den Wuppertaler B\u00fchnen, der Bamberger Dommusik, dem Kettwiger Bach-Ensemble und dem Bayerischen Kammerorchester.

Auff\u00fchrungen u.a. am Stadttheater M\u00f6nchengladbach, bei den Weltmusiktagen 1999 in Rum\u00e4nien,   bei der Bergischen Biennale, den \u201cTagen Neuer Musik\u201d in N\u00fcrnberg 2000, den Festivals f\u00fcr zeitgen\u00f6ssische Musik in Bukarest und Chisinau (Moldawien), der Wuppertaler Oper, der Philharmonie Essen und im Sendesaal des WDR.<\/p>\n\n\n\n

Partituren und Material:  archiv @ thomasbeimel.de<\/a><\/p>\n\n\n\n

Alle auf dieser Seite ver\u00f6ffentlichten Partituren werden kostenfrei f\u00fcr Auff\u00fchrungen und nichtkommerzielle Nutzungen zur Verf\u00fcgung gestellt. Alle Rechte verbleiben beim Urheber.<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2016 Im Anfang<\/strong>
zum Prolog des Johannes-Evangeliums
choir SATB &
brass: 2 Ob, 2 Cl, 2 Bn, 4 Hn, 2 Tr, 3 Tbn<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2016 ricercar<\/strong>
organ
<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2015 kaleidoskop<\/strong>
mucial box
<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2015 sonata<\/strong> (ascensio)<\/strong>
five violas
<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2015 epiphania<\/strong>
organ, two trumpets, violin, cello and percussion
<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2014\/15 kreisf\u00f6rmiges ritual<\/strong>
string quartet
<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2014 aria<\/strong>
violin, cello and piano
<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2014 sonata<\/strong> (memoria)<\/strong>
musical box<\/p>\n\n\n\n

<\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2013\/14 missa brevis<\/strong>
one part choir (soprano or contralto),
mixed choir, percussion group<\/p>\n\n\n\n

<\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2013\/14 bagatellen<\/strong>
ensemble (flute, clarinet, bassoon, trumpet,
trombone,two percussionists, string quartet)<\/p>\n\n\n\n

<\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2013 zwei kleine h\u00fchnergeschichten<\/strong>
children chor<\/p>\n\n\n\n

<\/p>\n\n\n\n


<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2012\/13 luna ay luna<\/strong>
mezzo soprano, clarinet (or viola) and harpsichord<\/p>\n\n\n\n

<\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2012 erwacht<\/strong>
choir and percussion<\/p>\n\n\n\n

<\/p>\n\n\n\n


<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2012 umfragen<\/strong>
female choir<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2012 can\u0131m ay<\/strong>
Alt, Barition Klavier<\/p>\n\n\n\n

<\/p>\n\n\n\n


<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2011\/12 summsumm<\/strong> \/ epitaph<\/strong>
mixed choir (ad lib. with tubular bells)<\/p>\n\n\n\n

<\/p>\n\n\n\n


<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2011 vom guten ton . die welt ist voll geplapper<\/strong>
music theatre for four voices, four wind
instruments and orchestra of mandolins and guitars
text: Cornelie M\u00fcller<\/p>\n\n\n\n

<\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2011 obstsalat<\/strong>
children choir or female voices<\/p>\n\n\n\n

<\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2010 du, meine taube<\/strong>
four male voices (TTBB), two violins, viola da gamba,
theorbo and percussion<\/p>\n\n\n\n

<\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2010 das kind mit der kr\u00fccke<\/strong>
choir and horn<\/p>\n\n\n\n

<\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2010\/13 little language song<\/strong>
25 gongs (three performers)
version for musical box<\/p>\n\n\n\n

<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a><\/figure><\/div>\n\n\n\n

2010 a-OA<\/strong>
soprano, alto, tenor<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2010 pilgerlieder<\/strong>
four miniatures for choir<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2010 no<\/strong>
trumpet and two marimbas<\/p>\n\n\n\n

<\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2009 gaukelei<\/strong>
accordion
version for two vibraphones<\/p>\n\n\n\n

<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a><\/figure><\/div>\n\n\n\n

2009 klangreden in wei\u00df-gr\u00fcn<\/strong>
music for the homonymous play of Cornelie M\u00fcller
oboe, clarinet, horn and trombone<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2009 canti minori<\/strong>
choir<\/p>\n\n\n\n

<\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2008 sonata (mobile)<\/strong>
harpsichord<\/p>\n\n\n\n

<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a><\/figure><\/div>\n\n\n\n

2008 …into space…<\/strong>
double-bass with sympathetic strings<\/p>\n\n\n\n

<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a><\/figure><\/div>\n\n\n\n

2008 dane-dane<\/strong>
mezzo soprano and viola (with voice)<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2008 estampie<\/strong>
guzheng and marimba<\/p>\n\n\n\n

<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a><\/figure><\/div>\n\n\n\n

2008 hic ad exemplum sanctorum<\/strong>
choir<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2008 passacaglia (in terra lontana)<\/strong>
vibraphone and piano<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2007 concertino<\/strong>
viola and string orchestra<\/p>\n\n\n\n

<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a><\/figure><\/div>\n\n\n\n

2007 electric flower<\/strong>
electric guitar and orchestra of mandolins and guitars<\/p>\n\n\n\n

<\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2007 sonata<\/strong> (communio)<\/strong>
accordion and portable organ<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2007 ding \/ dong<\/strong>
choir<\/p>\n\n\n\n

<\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2006 das tor des kusses<\/strong>
flute<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2006 ugarit<\/strong>
string quartet (2007 version for hornquartet)<\/p>\n\n\n\n

<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a><\/figure><\/div>\n\n\n\n

2006 hanacpachap<\/strong>
mezzo soprano, accordion and portable organ<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2006 nacht…<\/strong>
tenor and mixed choir<\/p>\n\n\n\n

<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a><\/figure><\/div>\n\n\n\n

2006 pastorale<\/strong>
oboe<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2006 et in arcadia ego…<\/strong>
oboe and marimba<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2006 hasret<\/strong>
mezzo soprano, viola, percussion<\/p>\n\n\n\n

<\/p>\n\n\n\n

\n
\"\"<\/a><\/figure><\/div>\n\n\n\n

2005 zeitlicher rat<\/strong>
chamber ensemble (oboe, clarinet, bassoon, horn, trompet, trombone percussion, two violins, viola, violoncello, double-bass)<\/p>\n<\/div><\/div>\n\n\n\n

<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a><\/figure><\/div>\n\n\n\n

2005 soave sia il vento<\/strong>
paraphrasis of the homonymous Terzettino
from Wolfgang Amad\u00e9 Mozart\u2019s opera \u201cCos\u00ec fan tutte\u201d
orchestra (2.2.2.2.2.2.0.0. – 1 – 7.6.4.3.1)<\/p>\n\n\n\n

<\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2005 schrammeln<\/strong>
mezzosopran<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2005 echos<\/strong>
two percussionists<\/p>\n\n\n\n

<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a><\/figure><\/div>\n\n\n\n

2005 cucurucuc\u00fa<\/strong>
horn, harp and two percussions<\/p>\n\n\n\n

<\/figcaption><\/figure>\n\n\n\n
\n

<\/p>\n<\/div><\/div>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2004 cantus<\/strong>
mixed choir<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2004 (no hay) consuelo<\/strong>
mezzo soprano (or trumpet) and string trio
version for english horn and string trio<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2004 sicut cervus<\/strong>
mixed choir, timpani and trombone quartet<\/p>\n\n\n\n

<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a><\/figure><\/div>\n\n\n\n

2003 soledades<\/strong>
fl\u00fbte de voix (or tenor recorder)<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n
\"\"<\/a><\/figure><\/div>\n\n\n\n

2003\/2005 tinieblas<\/strong>
accordiontrio1<\/sup>
version for organ2<\/sup><\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n
\"\"<\/a><\/figure><\/div>\n\n\n\n

2003 veni creator spiritus<\/strong>
mezzo soprano and counter 1<\/sup>
version for alto flute and tenore recorder2<\/sup>
version for viola and viola d\u2019amore<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2003 \u2019aynaki \/ deine augen<\/strong>
mezzo soprano<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2003 sumak<\/strong>
two violas<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2003 c\u00f3lera<\/strong>
string quartet<\/p>\n\n\n\n

<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a><\/figure><\/div>\n\n\n\n

2002 auf deinen wangen \/ goldene tauben<\/strong>
mezzo soprano<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2002 tan\u00e2var<\/strong>
mezzo soprano, alto flute and trombone <\/p>\n\n\n\n

<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a><\/figure><\/div>\n\n\n\n

2001 In der Strafkolonie<\/strong>
theatremusic for a stageadaption of Franz Kafka\u2019s homonymous novel. 
two violins, viola and treble viola da gamba<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2001 petite chanson d\u2019amour<\/strong>
voice (with piano) <\/p>\n\n\n\n

<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a><\/figure><\/div>\n\n\n\n

2001 PARIS\/Dornr\u00f6schen<\/strong>
Musik zum Film „Paris qui dort“
von Ren\u00e9 Clair (1923)
Posaunenquartett, Harfe, Streichorchester<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2001 tu aliento<\/strong>
mezzo soprano<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2000 mneme <\/strong>
string quartet<\/p>\n\n\n\n

<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a><\/figure><\/div>\n\n\n\n

2000 melos<\/strong>
timpani<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2000 …calling, from far away…<\/strong>
vibraphone<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2000\/2004 …and what of the sleep of animals…<\/strong>
string orchestra<\/p>\n\n\n\n

<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a><\/figure><\/div>\n\n\n\n

1999-2002 Okean\u00f3s<\/strong>
Concerto for amplified cello and orchestra<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

1998\/99 Idyllen<\/strong> – Musical Scenes after Jean Paul 
Chamber Opera (Libretto: Michael Schneider) 
2 basses, string quartet, tuba and videos <\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

1998 L’arriv\u00e9e \u00e0 Cyth\u00e8re<\/strong>
Altquerfl\u00f6te und Schlagzeug<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n
\"\"<\/a><\/figure><\/div>\n\n\n\n

1998 saeta <\/strong>
six women voices 1<\/sup>
version for six mixed voices (2003) 2<\/sup><\/p>\n\n\n\n

<\/figcaption><\/figure>\n\n\n\n

compositions for children and amateurs<\/strong><\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2011 there is no rose<\/strong>
choir<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2010 passacaglia (in blue)<\/strong>
bassoon, vibraphone, accordion- and percussion ensemble<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2005 Die Werkstatt der Schmetterlinge<\/strong>
music for a story by Gioconda Belli
accordion orchestra, ad lib. with violin and tuba<\/p>\n\n\n\n

<\/p>\n\n\n\n

2003 Die Wupperindianer<\/strong>
flute, horn, trombone, accordion, harp, percussion <\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2002 Luise schwebt<\/strong>
flute, horn, trombone, accordion, double-bass, percussion<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

2001 faltenbalg<\/strong>
five accordion ensembles<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

1998 Insekten: Kinder des Lichts<\/strong>
paraphrasis on Skrjabin\u2019s 10th Piano sonata for four accordions <\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

1996 …in betrachtung fallenden schnees…<\/strong>
orchestra, different instrumental groups, children choir<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

1995 N\u00e4chtliche Erz\u00e4hlungen<\/strong>
strings, recorders, three percussionists, two pianos and tape<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

1994 Lampions<\/strong>
three violins and cello<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Auftr\u00e4ge vom Kultursekretariat NRW, den Vereinigten St\u00e4dtischen B\u00fchnen Krefeld und M\u00f6nchengladbach, der Kunststiftung NRW, den Musikschulen in Leichlingen und Bochum, dem Kulturb\u00fcro Wuppertal, dem Stadttheater F\u00fcrth, den Wuppertaler B\u00fchnen, der Bamberger Dommusik, dem Kettwiger Bach-Ensemble und dem Bayerischen Kammerorchester. Auff\u00fchrungen u.a. am Stadttheater M\u00f6nchengladbach, bei den Weltmusiktagen 1999 in Rum\u00e4nien,   bei der Bergischen Biennale, den \u201cTagen … Kompositionen<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/thomasbeimel.de\/index.php?rest_route=\/wp\/v2\/pages\/16"}],"collection":[{"href":"https:\/\/thomasbeimel.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/thomasbeimel.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/thomasbeimel.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thomasbeimel.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=16"}],"version-history":[{"count":73,"href":"https:\/\/thomasbeimel.de\/index.php?rest_route=\/wp\/v2\/pages\/16\/revisions"}],"predecessor-version":[{"id":313,"href":"https:\/\/thomasbeimel.de\/index.php?rest_route=\/wp\/v2\/pages\/16\/revisions\/313"}],"wp:attachment":[{"href":"https:\/\/thomasbeimel.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=16"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}